In relation to our piece, we will be addressing the Male Gaze theory subtly. The 1940s female characters are fighting over the male character and so showing how their friendship and the bond between young women is less important than the affections of the male character. Although he will not feature on screen, the storyline is partly structured around him but because of this, we will not need to make the characters into 'an erotic object for characters within the narrative'. The modern day character is just a teenager searching for information and so will not be made into a 'desirable' figure.
However, the narrative is pushed forward by the female characters and it is essentially the absent male character which takes the passive role in the narrative.
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